GAGE

 

The first time Ben worked with a real camera at 24 he didn’t really know what he was doing, the idea of taking pictures more of an intriguing hobby than career aspiration.  Then he realized that the pictures he took weren’t about ‘creating innovative imagery’ or ‘pushing the boundaries of the visual language’, but about finding something real in people and making that beautiful.  

 
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Ben is obsessed with light, nearly driving his car into a bridge as he mouth-open gawks at a sunset.  His linchpin is knowing how to flatter and highlight the ideal and shadow a person just enough to interest the eye.  What you can’t see is just as important as what you can.

 
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